i think we’re all guilty of forgetting that hunk is the only character bar zarkon + haggar to have a canonical romantic plot so far which is … interesting
wait….are any americans aware that the cia overthrew the democratically-elected premier of iran in 1953 because he wouldn’t concede to western oil demands….and how that coup was the reason for the shah’s return to power, the iranian revolution, and the resulting fundamentalist dictatorship…..like, america literally dissolved iranian democracy and no one knows about it???
No. No we don’t know about it.
Americans aren’t told this shit.
The only thing we’re taught about any Middle Eastern country in school is that 1) the region exists 2) it’s where The War is happening and 3) Muslim people live there. That’s it. Maybe if you’re lucky you’ll get into the Hammurabi Code and some early Babylonian stuff but American schools seem to think that if it happened outside Europe and before the colonial period, or makes America look bad and isn’t about A Very Watered Down Version of What Slavery Was, it’s not important.
Info on this is almost notoriously hard to find. It’s not in any texts on American and Russian involvement in the Middle East during the Cold War that I can find. You have to specifically look for a book about the Shah’s return to power, and even then you’d be hard pressed to find a book like that at your local bookstore. Once you get into some higher level college courses you might know about it, but the people who can afford those are more likely to already be indoctrinated into a certain Way of Thinking (read: they’re racist as shit) by the time they get there. And it’s almost like you have to know about it beforehand if you want to find information on it.
The only reason I knew about it is because there’s a thirty second summary of the event in Persepolis. Those thirty seconds flipped my entire worldview.
“All the Shah’s Men” by Stephen Kinzer is a good, accessible text for people who want to know more about this.
!!!
I had to explain literally this to one of my co-workers, who is so fuckin racist against Middle Eastern people it’s insane.
She’s 60. She never heard of this.
As I was explaining this and how, during the Regan years, we funded Osama Bin Laden to fight against Russia, leading to the destruction of much of the infrastructure in the region, one of the plant workers came in to get his badge fixed.
He works in the quality control lab. He served 15 years active duty in the Army. Super smart guy, has a masters in chemistry and another masters in biology, raises saltwater fish in his spare time for sale, has the saltwater aquarium setup of the gods. Raises rare corals too, some of which he donates to be used in re-seeding reefs around the world, but that’s a side tangent.
And he listened for a minute, then nodded and said “Yeah. I was there during that. I helped train people to fight. They wanted us to help them build schools and hospitals, after, but we were only interested in them as cannon fodder. Left the whole area in ruins. I wasn’t surprised when they hated us for it later. Told people then it would happen. We let them know then that they were only valuable to America as expendable bodies. Why wouldn’t they resent us for that?”
And she just looked floored.
“So…” She started, after a few minutes. “What do you think of Trump?”
“I hate him. He’s a coward and he’s going to get good people killed.” He didn’t even blink. “
She looked back and forth between us for a second, and then asked how I knew all this.
“I research things.” I said. “Google is great.” He nodded enthusiastically.
And she just sat there for a second and then said, really quietly, “I didn’t know.”
She lived through it.
American schools don’t teach you any of this sort of thing.
I thought of Persepolis by Marjane Satrapi too. Never underestimate the power of a good book.
Every year in my entire schooling in small town Indiana, we’d start the year studying the revolutionary war. By the end of the year we would reach world war 2. The next year, the cycle would repeat. Every year. Revolutionary war to world war 2. Rinse and repeat.
We never studied the Vietnam War. Korea. No current events. No ancient cultures. No history of other countries. When 9-11 happened I was in high school, and me and my classmates legitimately had no idea who would attack the U.S. or why. We were baffled. Because we were taught our entire lives that America is always the good guy.
[Image description: Includes a picture of the @i-am-a-fish goldfish wearing sunglasses with the lenses displaying the asexual pride flag colors. With the message: Hey mate!!! A real LGBTQIA+ ally understands the “A” stands for ACE.]
When Brazilian graphic designer Carol Rossetti began posting colorful illustrations of women and their stories to Facebook, she had no idea how popular they would become.
Thousands of shares throughout the world later, the appeal of Rosetti’s work is clear. Much like the street art phenomenon Stop Telling Women To Smile, Rossetti’s empowering images are the kind you want to post on every street corner, as both a reminder and affirmation of women’s bodily autonomy.
“It has always bothered me, the world’s attempts to control women’s bodies, behavior and identities,” Rossetti told Mic via email. “It’s a kind of oppression so deeply entangled in our culture that most people don’t even see it’s there, and how cruel it can be.”
Rossetti’s illustrations touch upon an impressive range of intersectional topics, including LGBTQ identity, body image, ageism, racism, sexism and ableism. Some characters are based on the experiences of friends or her own life, while others draw inspiration from the stories many women have shared across the Internet.
“I see those situations I portray every day,” she wrote. “I lived some of them myself.”
Despite quickly garnering thousands of enthusiastic comments and shares on Facebook, the project started as something personal — so personal, in fact, that Rossetti is still figuring out what to call it. For now, the images reside in albums simply titled “WOMEN in english!“ or ”Mujeres en español!“ which is fitting: Rossetti’s illustrations encompass a vast set of experiences that together create a powerful picture of both women’s identity and oppression.
One of the most interesting aspects of the project is the way it has struck such a global chord. Rossetti originally wrote the text of the illustrations in Portuguese, and then worked with an Australian woman to translate them to English. A group of Israeli feminists also took it upon themselves to create versions of the illustrations in Hebrew. Now, more people have reached out to Rossetti through Facebook and offered to translate her work into even more languages. Next on the docket? Spanish, Russian, German and Lithuanian.
It’s an inspiring show of global solidarity, but the message of Rossetti’s art is clear in any language. Above all, her images celebrate being true to oneself, respecting others and questioning what society tells us is acceptable or beautiful.
“I can’t change the world by myself,” Rossetti said. “But I’d love to know that my work made people review their privileges and be more open to understanding and respecting one another.””
From the site: All images courtesy Carol Rossetti and used with permission. You can find more illustrations, as well as more languages, on her Facebook page.
Oooh. I reblogged a partial version of this recently but I didn’t know how many more there were! I LOVE these!
OK SO THERE ARE TONS MORE OF THESE OF THE ARTISTS FB PAGE. GUYS THESE ARE AWESOME.
LOOK
AT
THESE
LETS APPLAUD CAROL ROSSETTI EVERYONE
LOOK
Um, these are like the best thing ever.
I wish i got nice things like that. Everyone is always judging me based on my choices.
